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Beniamino Barrese; Tomatometer=8,1 of 10; Release Date=2019; ; Carlotta Antonelli, Benedetta Barzini; Resume=A once-iconic fashion model strives to escape the world of images and disappear for good, but her son's determination to make a final film about her sparks an unexpected collaboration and confrontation with the camera's gaze.

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La disparition de ma mère watch movie download. He looks & acts like a drunk. I can talk from experience; I'm sober many years now. La disparition de ma mère watch movie 2017. La disparition de ma m c3 a8re watch movie live. La disparition de ma mère watch movie hd. La disparition de ma mère watch movie list. C'era un festivalino di ragazzini di 8-7 anni. (THE DISAPPEARANCE OF MY MOTHER) Italien 2019 Original mit englischen Untertiteln (Original: englisch, italienisch) Deutsche Premiere Regie: Beniamino Barrese Mit 75 Jahren hat Benedetta mit ihrem früheren Leben und ihrer Umwelt abgeschlossen. Am liebsten hält sie sich in ihren eigenen vier Wänden auf und beschäftigt sich mit sich selbst. Was ein starker Gegensatz zu ihrem vorherigen Leben ist: In den 1960ern war Benedetta ein gefragtes Model. Künstler und Fotografen wie Warhol, Dali, Penn und Avedon erkoren sie zu ihrer Muse. Trotzdem oder gerade deswegen setzte sie sich für die Rechte der Frauen ein und sah sich selbst als Feministin. Von all dem weiß ihr Sohn Beniamino nur wenig. Nie erzählte sie von ihrer Karriere, nur durch Zufall stieß er auf Reliquien aus dieser Zeit. Seine Faszination für seine starke, unabhängige und sture Mutter befeuerte diese Entdeckung zusätzlich. Nur folgerichtig, dass er ebenfalls versucht, sie auf Film zu bannen – schon in seiner Jugend, als er seine ersten Schritte mit der Kamera machte, und später als ausgebildeter Kameramann. Überallhin folgt er Benedetta, ob sie arbeitet, schläft, kocht, isst. Doch seine Mutter widersetzt sich dem Blick der Linse so gut wie möglich. Auch der Film widerstrebt ihr offenkundig. Es entbrennt ein Kampf zwischen dem Wunsch des Sohnes, gewisse Erinnerungen für immer festzuhalten, und der Sehnsucht der Mutter, das eigene Lebensende ruhig und selbstbestimmt zu gestalten. tags: Dokumentarfilm, Einsamkeit, Erinnerungen, Familie, Frauen Mit: Benedetta Barzini Credits Mehr Drehbuch: Beniamino Barrese Kamera: Beniamino Barrese Schnitt: Valentina Cicogna Musik: Aaron Cupples Ton: Massimo Mariani Produzent: Filippo Macelloni Koproduzent: Hayley Pappas Produktion (Firma): Nanof Koproduktion (Firma): Ryot Films Weltvertrieb: Autlook Filmsales Biografie Mehr Beniamino Barrese, Jahrgang 1986, studierte Philosophie an der Universität Statale di Milano und Internationale Politische Ökonomie am Londoner King’s Kollege. Er machte seinen Master in Kinematografie an der Nationalen Film- und Fernsehschule in Beaconsfield. Als Kameramann drehte er Kurzfilme im dokumentarischen und fiktionalen Bereich, Musik- und Modefilme sowie Werbung. Zudem arbeitet er als Regisseur und Fotograf. THE DISAPPEARANCE OF MY MOTHER ist sein erster Langfilm.

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La disparition de ma mère watch movie english. La Disparition de Ma Mère Watch movie maker. Excellent movie. La disparition de ma mère watch movies 2017. Documentaries are inherently exploitative to some degree. Whether it is the filmmaker crafting footage to tell a story, editing out footage to support a thesis or message, or engaging with one’s subject and impacting the “truth” through self-awareness, or all of the above, the documentary as a medium is always a version or interpretation of the truth and not pure, unfiltered fact. Beniamino Barrese’s debut film Storia di B. – La scomparsa di mia madre ( The Disappearance of My Mother) explores this underlying conflict through a most personal subject: his mother. He is the son of Benedetta Barzini, a supermodel, activist, teacher, and more, whose final wish as she ages is to simply disappear – making her a reluctant subject for a documentary. She says early on that she “disdains” images, which cannot fully capture someone’s essence and spirit, a sentiment which comes at odds with her son as a director of film, a medium requiring images to communicate, emote, and express. The footage is arranged in a non-linear, but thematically cohesive manner: exploring her early modeling career, through footage and images of Barzini as early as the 1960s; her today, arguably a recluse fed up with the Milanese society she has long been part of; her as teacher, guiding and challenging students to reframe their understanding of marketing, fashion, and the image; and her as mother, bickering with, and sharing warm moments with, her son the director. It is often a very difficult film to watch, bearing witness to an older woman telling her son that she simply wants to disappear from the world. The film’s subject engaging with the documentary form pushes the line between fact and fiction, as she and Barrese discuss ways to shoot her final good-bye, before she changes her mind and wants to stage something else. Barzini hates the image and wants to escape from it, but also wants to leverage it and help visually craft the send-off she wishes to stage and have recorded. A critique some have had on the film is in the central conflict between mother and son, subject and documentarian: is it another instance of the male gaze, exploitation, or filming a subject without consent? As many scenes as there are of Barzini being angry or frustrated with Barrese’s camera, there are glimmers of happiness: a smile as she takes pride in her work as a model, her twirling in a new dress as she films one of her staged good-byes. If anything, the choice to include the more combative moments show Barrese’s awareness of the camera’s gaze, and transparency to tell a full story, both good and bad. In a Q&A following the film, Barrese described the film as “imperfect, ” though it is all the more compelling and powerful through such “imperfection, ” a fine balancing act of contention and collaboration, fact and fiction. Storia di B. – La scomparsa di mia madre is a strong, challenging debut work, and with Barrese subverting and questioning genre right out of the gate, he’ll be a very exciting filmmaker to follow. Screened at the 31st Annual Palm Springs International Film Festival in 2020.

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